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Think like a director

Decide where the camera goes.

Shape the set, choose your framing, and work on camera movement with the shot in front of you.

Made for filmmakers who want to make deliberate staging and camera choices.Explore the workflow ↓
WIDE SHOT · SLOW APPROACH
Start wideMove closer ↗Reveal
Imagine starting here
“Start wide on the cliff. Move toward the lighthouse. End on the keeper noticing a distant light.”
What you work toward

A staged scene and camera plan to guide frame and clip generation.

Make it in Steve

From the idea
to the details.

01

Build the space.

Review the set in clean, annotated, or 3D views. Adjust the scene and inspect where its elements sit.

Tools you’ll use
  • Set builder
  • Inspect 3D
  • Props and models
02

Choose the shot.

Work on framing and movement for the selected shot. Use start and end frames to develop its visual direction.

Tools you’ll use
  • Camera and movement
  • Start and end frames
  • Image annotations
03

Review and refine.

Inspect the scene preview before generating clips. Compare the resulting takes and revise when the shot needs another pass.

Tools you’ll use
  • Scene preview
  • Clips
  • Video takes
  • Prompt Lab

Keep exploring.

All use cases ↗
THE LAST LIGHT A story starts with a spark.
01 / Tell a story

Make a short film

Start with a premise. Develop the script, build your cast, direct each scene, and bring the shots together in one studio.

THE LAST LIGHTA short film · Working draft
EXT. LIGHTHOUSE — DUSK

MARA watches the horizon. One light blinks across the water.

She knows that signal.

MARA

That can’t be you.

Let the silence carry the reveal.
02 / Make an idea tangible

Develop a brand film

Explore a narrative concept for a campaign. Work through the story, look, and camera choices before committing to the final sequence.

A studio for your next idea

Bring the story.
Make it yours.

Steve is in invite-only beta. Join the early-access list and tell us what you want to make. We’ll reach out when we’re ready to welcome you.

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